Shedunnit: my dream bookish podcast

Today, I want to share my favourite bookish podcast with you. It’s called Shedunnit and its premise is “to unravel the mysteries behind classic detective stories.”. If you are into Golden Age crime fiction, the authors behind the books and the real crimes that influenced their narratives, then this is most definitely for you.

Shedunnit-Artwork

What strikes me each time I listen is the quality of the research, the depth of content (all the books mentioned are listed in the show notes and full transcripts are available on the website too)  and just how compelling it is to listen to. It is produced to an exceptionally high standard by Caroline Crampton, who also writes the content and is the narrator of the podcast.gg98405682 (2)

I absolutely love the period music Caroline uses to intersperse the sections, it really adds to the atmosphere and I also really appreciate her voice; its clarity and engaging quality – as we all know, I am so fussy when listening audio. Of course, the content is pretty special as well. To give you a taste of what you can expect, here are a few of my favourite episodes so far:

01: Surplus Women (single, independent women after the First World War 

03: Queer Clues (the portrayal of queer characters)

04: The Lady Vanishes (on Agatha Christie’s missing days)

08: Dining with Death (the pivotal role of food in golden age mysteries)

13: The secret life of Ngaio Marsh

 The podcast includes interviews with lovers of the genre, experts and with authors who set their books during the Golden Age of the 20s and 30s . Recently, two of my favourite ever authors have made appearances and were such a treat to listen to: Jacqueline Winspear (writer of my much loved Maisie Dobbs series)in episode 15, focusing on period style and Robin Stevens (creator of the gorgeous Murder Most Unladylike series)  in episode 19 looking at school as a perfect murder mystery setting.

gg98405682 (2)

A couple of months ago, Caroline set up a membership option as a way to create a community around the podcast but also as a way of keeping the podcast on air. When you listen you will get some idea of the amount of work and time that goes into making each episode.  At this point I must mention that I ‘m writing about this purely because of my love for the show, my post is in no way sponsored.

Membership package 1 enables you to be part of the members only Shedunnit online book club and message board, to access extra content that isn’t included in the main podcast plus there’s an extra monthly episode. Membership package 2 included all of the above PLUS a monthly subscription box containing goodies curated by Caroline and including a rare or unusual second had detective novel. I am personally subscribed to this and absolutely love my monthly murder mystery bookish post. I had a lovely email to begin with, asking me about my reading tastes, books I’ve read/want to read in future etc- that personal touch makes all the difference. Find more info here.

gg98405682 (2)

And speaking of which, this month’s package has just arrived so I’ll stop now and find out what this month’s treasures are…

Auntie Robbo by Ann Scott Moncrieff: a review of a forgotten gem

AR Cover

My wonderful, all things Scottish loving, bookish friend Mel made me aware of Auntie Robbo by Ann Scott Moncrieff through the Scotland Street Press Instagram account. She said that it felt like  “a very Milena-like book” and oh how well she knows me! I’m a passionate auntie, I love reading children’s adventure stories from the 1930s/40s plus I have a love of Scotland too. There is also a rather lovely personal aspect to the republication of Auntie Robbo as Jean Findlay, the founder of Scotland Street Press, is actually Scott Moncrieff’s granddaughter, who wishes to delight a new generation with Robbo and her grandnephew Hector’s adventures. Like Scott Moncrieff, My Omi (German grandma) was also a talented storyteller and I so wish her stories had been published to make the world that little bit richer too. So, to get to the point, I of course said yes to a proof copy and to taking part in the blog tour.

AR Blog Tour 3

Synopsis: This is the story of eleven-year-old Hector, who lives with his rather quirky great aunt Robbo (Robina) in the Scottish countryside near Edinburgh. Their lives are turned upside down when an ominous woman presenting herself as Hector’s stepmother arrives, causing great aunt and nephew to escape to the Highlands, where they also pick up three homeless children along the way. Plenty of adventures ensue as they travel the Scottish landscape, hoping to stay ahead of the dreaded Merlissa Benck, who is determined to get her own way.

For me, the challenge of reading this book lay in consciously not reading from an adult perspective and not analysing everything to high heaven as I usually do but letting the joy and the adventure take over and remembering what it was like to read as a child. There was so much to enjoy:

I adored Auntie Robbo: I hope that I have her spirit, quirkiness  and energy when I am in my 80s and that my nieces care for me as much as Hector does. She is like an old version of Pippi Longstocking (a childhood heroine of mine)  with that same zest for life, the same heart of gold and the ability to cause confusion, chaos and disapproval from other adults wherever she goes. I think it’s fabulous how Scott Moncrieff challenges the stereotypical image of what being old looks like and the way she illustrates just how much an older person has to offer a child.

AR Cover Image 1

The relationship between Robbo and Hector: This is deep and tender and very much on an equal footing. They care for each other and this is portrayed so beautifully: Hector very much looks out for Auntie Robbo in her more eccentric moments and Auntie Robbo in turn makes sure Hector is loved and installs an awesome love of nature and independence in her nephew. Here I must also mention Hector himself, who is also quite special; rather than being a typical boy character as found in many stories of the period, he is sensitive, intelligent, compassionate and often introverted. I loved him.

AR Cover Image 1 (2)

The joy of nature and pride in Scotland: The description of the natural world that Robbo and Hector adore and explore has been written with such love and in a way that totally transported me into the story’s landscape. Scott Moncrieff’s  love of the sea shone through especially brightly for me.AR Cover Image 1

The sheer adventure of it all and the simplicity and freedom of a slower time: I think that this really appeals to me as an adult as well as the child within;  it is what I wish for my nieces and younger, tech-savvy generations in general  – to rediscover the natural landscape, to wholeheartedly enjoy themselves, to experience that sense of freedom and let their imagination roam free. Plus, I love it when children save the day in an adventure 😊AR Cover Image 1 (2)

The comedy: This book made me chuckle at several points and the dry sense of humour really added character to the narrative. To name just one example: what’s not to love about a disgruntled one-horned goat out for revenge?!

AR Cover Image 1

The suspense: the atmosphere Moncrieff build up in the second half of the book when the setting changes is a delight and would certainly have made me read under the covers past my bedtime as a child – I can’t really say more without spoiling the reading adventure.AR Cover Image 1 (2)

A book of its time: With my adult hat on I will say that it is a book of its time, just as all books of the past are, and this is worth noting if you plan on sharing Auntie Robbo. The pace is slower than today’s middle grade fiction tends to be and sometimes the language feels more complex/more adult orientated than today’s children generally come across (and this  is by no means a criticism but something to be aware of).

AR Cover Image 1

My final thoughts:  I think Auntie Robbo is very much a forgotten gem and I hope that this republication will allow it to be as enjoyed and loved as it deserves to be. My nieces are over at the weekend, I think its time they got to meet Auntie Robbo 😊

ann-scott-moncrieff0003

{I think this is a rather lovely photo of Ann Scott Moncrieff}

Mrs Mohr Goes Missing: a Polish Mystery

Translated Polish historical fiction and a murder mystery with a female amateur detective plus an incredible cover – just my cup of tea. Thanks to NetGalley and Oneworld for my arc – this book is now available to buy.

9781786075437

Before I even looked at the content as such, I was already all for reading this book as there isn’t nearly enough translated fiction out there. The book has been supported by the European Council as well as the publishers and it is part of Oneworld’s fab translated fiction catalogue, which you can find here. Mrs Mohr has been translated into English by Antonia Lloyd-Jones.

So Milena, what is the book actually about, I hear you say: This is the first amateur detective mission for Zofia Turbotynska, a 38-year-old, middle-class, married woman living in Cracow in 1893. Always wanting to improve her social standing and determined to relieve her boredom, she becomes involved in a charity project connecting her with the nearby Helcel House, a new retirement home run by nuns. Zofia is pulled into (or rather, she actively involves herself in) the hunt for the murderer of one of the old ladies there (Mrs Mohr of the title) and of course, there is more death to follow. Zofia, reminiscent of Miss Marple, discovers that her talent and passion lies in detective work.

I enjoyed…

The setting is a fresh take on  Golden Age crime themed mysteries: Although I know a fair bit about Golden Age crime, I know very little indeed about Poland’s history and next to nothing about Krakow itself. I really appreciated the preface with a very brief description of that period in Polish history. I thought it incredibly interesting to see what was going on elsewhere in Europe in Victorian times i.e. Emperor Franz Joseph Habsburg, ruler of Austria-Hungary. Plus, the entire book has that almost indefinable East Europeanness that I adore in books – I am very much drawn to fiction set in these parts.

So, without going into a history lecture, I will keep it brief and say that Krakow was a melting pot of diverse ethnicities, languages, cultures and religions. It was a place of divided loyalties, those loyal to Austria and nationalists increasingly longing for independence. Like so many other countries, it was also a place of inequality in terms of gender and the class system. All of this becomes apparent, mostly in a dry humoured, digestible fashion that reminded me of other Victorian narratives focusing on witty social commentary. This isn’t a book to challenge, it is a light read but the awareness is very much there and to be honest, I just really enjoyed the snarkiness and often witty commentary.8b1bce47b63e609e4787a5bd9f825c6eThe sheer quirkiness of the narrative and especially the main character of Zofia: I will be honest and say that at first, I couldn’t connect with Zofia; she felt rather two-dimensional and was just incredibly unlikable. But I gave her a chance and as the story progressed, there were some glimpses into her character that showed the potential of a much more complex character. She may hide that side of herself well but there is definitely something intriguing about her below her bourgeois surface. Zofia is definitely a force of nature and I admired that in what was very much a man’s world. She uses the tools available to her, playing the social system to get to the complicated truth of her case. The fact that she hides it all from her professor husband and her work is never publicly acknowledged, illustrates perfectly the double life she leads in order to find herself. I also loved the chemistry between Zofia and her two sidekicks, her cook Franciszka and the wonderful nun, Sister Alojza at Helcel House. She by no means sees them as equals, there is much superiority and naive thinking on Zofia’s part, but nevertheless, these women unite and use their intelligence and skills to solve the mystery together.

It could have been better…

The overplaying of stereotypes and the often too obvious nod to the Golden Age of crime fiction: Whilst I read the book as a humorous ode to Golden Age crime, sometimes it felt too over the top, it borrowed too much, and this affected the story’s originality.  A lot of the characters were types too, with very little depth apart from their function within the plot or to support the social/political statements being made. I thought this was a shame.8b1bce47b63e609e4787a5bd9f825c6eToo many internal monologues: Sophia has a lot of internal conversations where she keeps retelling the story so far, trying to work out what has happened and where this will lead her. It felt pretty repetitive at times. And she never reaches any conclusions or even hints of conclusions but then suddenly at the end, she knows everything. For me, this made  both the flow and coherence of the narrative disjointed.8b1bce47b63e609e4787a5bd9f825c6eThe highlighting of Cracow’s Jewish inhabitants: I’ll be honest and say I didn’t understand what the authors (incidentally, the pen name Maryla Szymiczkowa is pseudonym for the writers Jacek Dehnel and Piotr Tarczynski)  were trying to achieve with Zofia’s haphazard way of regularly and noticeably pointing out which characters were Jewish. This didn’t seem to go anywhere and felt odd. The preface tells us that a quarter of the city’s population was Jewish, but most were not assimilated and led separate lives, even those assimilated into society were treated as second class citizens. I felt that an opportunity to explore this was missed.8b1bce47b63e609e4787a5bd9f825c6eThe translation of the local/national accents/dialects: It felt too much of a caricature. As a reader and translator, I think that such things are rarely done well and often choosing to leave the accent to the reader’s imagination is a more effective option. When dialect is done well it can add a valuable layer of meaning, but this was not the case here. Again, I wasn’t quite sure whether there is an element of  parody to the dialect – if so, I can see why it’s there, but it still didn’t work for me.

So, overall…

It is the first book in a series, and I think there was enough there to hook me and for me to hope that the things I wasn’t too impressed with will be developed and straightened out as the series continues. I will certainly give book 2 a go when it is translated. And I hope the next cover is just as wonderful 😊

Stanley and Elsie by Nicola Upson; a story that captured my heart

Every now and again a book comes along that totally captures your heart; Stanley and Elsie by Nicola Upson is most certainly one of these.

D5ej2F6WsAA42Yg

I’ve been a huge fan of Upson’s Josephine Tey crime series for years (which deserves a blog post all of its own) so when the proof for this book popped up on my twitter feed, I was immediately intrigued to see where this standalone with a very different sounding direction would take me.

duckworth

{I was incredibly lucky to receive a proof copy  from Duckworth Publishers}

So, what is Stanley and Elsie about? It is the story of artist Stanley Spencer and his unique friendship with his housemaid Elsie, who comes to live with Spencer and his young family after World War I. We meet Stanley as he is in the process of working on a commission to paint the interior of a memorial chapel for those lost at war and we accompany the years it takes to create his masterpiece of  trauma, loss and redemption. We also follow his complex marriage to fellow artist Hilda, his tangled relationship with his daughters and later on how he navigates temptation and obsession. At the heart of the Spencer family is Elsie, who does her utmost to keep them all together, offering care, wisdom and friendship.

Carline, Hilda Anne, 1889-1950; Elsie

{I need an Elsie in my life. This is a painting of Elsie by Hilda Carline}

Spencer was a real artist, as was his wife Hilda, who later signed her work as Hilda Carline. I knew Stanley and Elsie was based on real people and on their artwork but that was pretty much all the background knowledge I had going in. And what a discovery this book was – it opened my eyes to incredible art that I didn’t know existed. What struck me in particular as I researched Spencer afterwards, was how Upson has taken a character, who is so often portrayed as a great artist but a pretty awful human being, and has dismantled this polarised image with such skill to reveal a complex man, who lost his sense of self during the war and spent most of his life trying to work out who he actually was – through his art and also through his relationship with women. A man who was capable of great kindness but who could be equally self-centred and hurtful, who could be charming and grounded in life but also naive, manipulative and detached from reality.brusha7.png

Whilst I’ve started with Stanley, it is the women in this novel who shine through for me. Upson writes each character with so much depth that I felt incredibly invested in their development:  The absolutely lovely, observant and vibrant Elsie, who I wish I could be friends with. Hilda, who struggles with finding her own identity as an artist, who struggles with being a mother and is so consumed by loneliness and her love for a man who cannot give her what she needs. Stanley’s sister, a side character but a striking one, who gave up her art to look after her parents and lost her sense of self in the process, her mental health deeply affected. And of course, Patricia and Dorothy – who I can’t say to much about as it would spoil your reading experience – who I wanted to hate but just couldn’t as they were battling their own personal and societal demons too.

brusha5.png

And then there’s the very special relationship between Stanley and Elsie, which felt so real, so genuine and which I still think about now. It is a friendship which navigates both social and gender divides – it is messy and frustrating and warm and at times very sad; I felt all the emotions!brushA7

Alongside Upson’s wonderful characters is the equally wonderful interweaving of Stanley and Hilda’s art. I absolutely loved how the plot was shaped around the artwork, crafted with such care and detail; Upson must have done an immense amount of research for this. The description of the different parts of the chapel are stunning, enabling me to visualise each piece in such detail that when I came to look up the chapel paintings online, it was like I was returning to something I had already seen before. The chapel is a National Trust property now and can be visited – of course I have a road trip planned for the summer.brushA5

I can’t finish without mentioning how brilliantly Nicola Upson captures those seemingly small, ordinary moments, which hold so much more. There were several times I annotated a page with “ such beautiful sadness” and I was left in tears at several points towards the end because of how an interaction or an observation was written. As I said, this book left a mark on heart.paint-set

 

The Burning by Laura Bates and The Furies by Katie Lowe; a double review

I’ve been in the mood for a bit of YA recently and it just so happened that two books with very similar themes (though completely different in content and writing style) crossed my path. A promise of witchy elements, an exploration of what empowerment can look like, insights into what it means to be a teenage girl today and the complexity of female friendships, plus a touch of history thrown in for good measure – needless to say I dove right in. You might want to get yourself a cup of tea before you read on, I’ve got a lot to share with you 😊

the furies

The Furies by Katie Lowe

(thanks to NetGalley and HarperCollins for the arc. Publication date: 2 May 2019)

What it’s about: This is the story of Violet, looking back at the mysterious death of a girl she knew in her school days in the late nineties and her life leading up to this event. In a run down, quiet coastal town, the teenage Violet starts at the sixth form of a private girls school. She is befriended by a group of girls and also becomes part of their secret club, which is led by a very intriguing, charismatic art teacher known as Annabel, who is following a centuries old tradition. And incidentally, the school’s history is connected to the witchcraft trials that took place there in the 17th century – the exploration of magic is something these girls are fascinated by. I won’t say any more than that 😉

Some of my thoughts…

*I loved the premise of this book and especially its exploration of intense anger and its consequences,  the potential of female power- both liberating and destructive as well as the question of what lengths a person is capable of going to in order to find a sense of belonging.hand*The Furies has some absolutely stunning descriptions; really vivid, evocative settings and character insights.hand*For me, it captured all the angst and intensity of being a teenager really well (and a touch of 90s nostalgia in the process as I was a teenager then too). Beyond the mystery and the possible witchcraft there are four girls trying to make sense of themselves and their world. I think there is a lot to identify with for YA readers and Lowe knows her audience well.hand*I really liked how art, folklore and the history behind the school were interwoven with what happens to the characters in the narrative. Three of my favourite interests all in one book, each contributing their own layer to the story being told.hand*The witchy element made me smile as I adored The Craft and the like when I was younger (still do if I’m honest)  and can totally see why The Furies is being described as its successor.hand*Katie Lowe makes Violet (the narrator), and therefore the reader, constantly question what is going on and that uncertainty works really well. What is in fact real? Is there magic involved? Are there mental health and alcohol/drug abuse issues at play? In fact, is Violet reliable as a narrator?

What didn’t work for me…

The following is based on personal preference and I feel like I need a disclaimer stating that I am also not the target audience – but I do read quite a bit of YA.

*The sections of lectures given by teachers were really interesting and relevant to the plot but they were often lengthy and felt disjointed within the narrative. It pulled me out of the story at times and I wonder what a younger me would have thought about these sections.hand*The animal sacrifice. There are just certain things I cannot read about and this is one of them. Yes, it is part of ritual in this narrative but no, I still don’t think it needs to be there.hand*The mother daughter relationship. This felt flat to me and I personally would have liked more depth – it is clear how important this relationship is for understanding Violet as a character, and I know that the girls are the focus of this narrative and not Violet’s home life, but I still feel there was just much more potential for development there.hand*There was an amount of repetition in terms of descriptive character phrases, of imagery and behaviour. This niggled, especially as I can see the writer is capable of much more.hand*I was really disappointed that the art teacher, Annabel, was not explored further as a character as she was one of my favourite elements; the Miss Jean Brodie-esque figure with her select group of girls. For me, she remained too distant as a character and her story rather fizzled out when there was so much more to explore.

the burning

The Burning by Laura Bates, published by Simon & Schuster

What it’s about: This is the story of Anna, who has just moved to rural Scotland with her mum, completely leaving her old life and everything associated with it behind. A horrendous social media experience and the death of her father have had huge impacts on Anna, and this is the chance for a fresh start. But social media is never truly erased from existence and human behaviour is never that straight forward. As Anna tries to work out what true friendships look like and how she can deal with the soul-destroying challenges she faces on a daily basis, she gets drawn into a history homework project. She is drawn to the story of Maggie, accused of witchcraft centuries ago, who was also targeted for not conforming, and suffered the consequences of other people’s views and actions.

Laura Bates is well known for being the founder of the Everyday Sexism Project, which you can find more about here and her feminist non-fiction Everyday Sexism and Girl Up ( both of which I have heard such high praise for but haven’t read yet).  This is her first adventure in translating her work into a YA fiction format, a new way to reach audiences and start those all-important conversations. I had a feeling it would be a fierce, intelligent and engaging read and I wasn’t disappointed!

I think this is an incredible book; powerful, thought provoking and compelling all at the same time. Here are my thoughts…

*Anna: I was utterly engaged with Anna as a character. I was routing for her throughout, worrying about her, feeling proud of her – you name it, I felt it! Bates has written a character that I believe teenagers from all walks of life can relate to and connect with. And do to this well, isn’t as easy as Bates makes it look! I also thought the friendship that develops between her, Alisha and Cat was gorgeous and genuinely captured the essence and complexities of teenage friendships. A younger me would have longed to be part of such a friendship group.match*Maggie’s story is equally as engaging. It is beautifully told and interweaves brilliantly with what Anna is facing in the present day. The witchcraft aspect has clearly been thoroughly researched and I like that a teenager could go into this knowing very little of this part of women’s history and truly learn something through the narrative. I read an interview with Laura Bates on the Bookseller website, where she speaks of the message she wants to put across through these two young women separated by time, When I talk about the reality of what girls are facing in UK schools, people have a tendency to shake their heads sadly and bemoan all the problems the internet has caused for young people. But looking at Anna and Maggie’s stories side by side, I hope it becomes clear that these are not new or ‘technological’ problems: this is the way we have always treated women and girls and it won’t change unless we act!match*Bates tackles the dark side of social media head on – once Anna’s photo has been posted without her permission it is beyond her control as the image takes on a life of its own, fuelled by viciousness. The portrayal  of online abuse and real-life bullying is raw and real. Those who bully either don’t care about their impact or are there for the thrill of the ride regardless, or just don’t stop to consider the impact they are having. Here it is worth noting that, because of the issues this book addresses, the language and imagery is honest, sometimes brutal and explicit. It has to be. But I think it is only fair to warn you if you are giving this as a gift so that you are aware of the content and are prepared to address any arising questions.match*The handling of grief is explored so well: how loss winds its way into every aspect of your life, the vacuum that is left when someone you love dies, how difficult it is to find a way forwards and how easy it is to get lost along the way, how hard it can be to communicate grief and especially  if others are hurting too.match*The ending: It is very much a statement ending, a couple of rich scenes that really leave a lasting impression in different ways. Some reviewers have said how this may not have been the most realistic of ways to end the book, but I disagree. Reading this ending is inspiring and inspires action, it is positive without a sugar-coated happy ending, it gives hope and will hopefully help young women to not feel so alone. I think it is also a disservice to young women, to assume they are not capable of Anna’s determination and strength at the end because there are incredible young women out there.matchTo finish, here is a quote that pretty much sums up this reading experience for me:

‘The Burning lights a fire in you – one that makes you want to fight for change and ignite sparks in others so the fire spreads and spreads.’ HOLLY BOURNE 

 

The Last by Hanna Jameson– stepping/leaping outside of my comfort zone

Imagine the world’s major cities have just experienced a nuclear apocalypse and you are lucky enough to have survived, staying in a once grand Swiss hotel in the middle of a vast forest. This is the situation that Jon Keller, historian and narrator, finds himself in and, as a collector of stories by profession, he decides to document the months following the end of the world as we know it. During this time, he finds the body of a young girl in one of the water towers and makes it his personal mission to find out what happened to her…

71-kbiLYCHL

For me, The Last is an intriguing mixture: part exploration of the human psyche, part character driven murder mystery and the odd element of 80s era horror thrown in for good measure. It’s about as far away from my reading comfort zone as I could get but I LOVED IT!

Here’s why I loved it…

The concept of recording history in the making so that your experiences are not forgotten, so that your life has meaning in the middle of chaos, really spoke to me. And the fact that it has to be written on paper as technology, including the instant history provided by the internet, is no longer accessible somehow appeals to me (I am a Luddite at heart). In connection with this, there is also a poignant section about the value of printed photographs: what happens if all you have left are digital copies of your collected memories and the people you  care about, and you can’t see them anymore? It certainly made me go through my photos, make lists and start the process of ordering paper copies. Photographs are so important in my opinion as they hold memories, precious treasures, and our brains can’t always hold onto them without help.last circle 2The characters: The hotel hosts a truly quirky cast of misfits and I think Jameson explores the social group behaviour as well as the individual motivations of the characters really well. I felt that the characters were kept at a bit of distance, as they would be with Jon as the person documenting, and usually a lack of engagement wouldn’t work for me, but somehow, I felt really intrigued and I enjoyed trying to figure them out alongside Jon (and indeed figure out the man himself, as he is far from being a reliable narrator).last circle 2The big, thought-provoking questions: These are interwoven into the conversations the characters have and the stories that they tell. They are often understated or very matter of fact yet incredibly powerful. Is there an afterlife or a duality in this world? What defines what is right and wrong in a world without structure? What does democracy actually look like and does it work? Is there such a thing as collective responsibility? How do you find meaning in life when all you had is gone and what makes a person valuable to society? This book really got me thinking!last circle 2The children and small acts of kindness: I love that there are interludes when the only two children in the hotel provide reminders of how all is not lost and that there is still wonder and joy to experience even in the most difficult of circumstances.  There is also a section when Jon is given a small ornament as a gift, which has a huge impact on him,

“The only meaning we might have left as a species – indeed the only thing left that might matter, that might keep us motivated to get up in the morning – is in the small acts of human kindness which we show each other…” 

I strongly believe that despite (or indeed because of) the shambles our world is in, kindness matters more than ever.last circle 2How our perception of “the end of the world” very much depends on what we have experienced before: One of the characters, Yoko, talks of her parents having grown up under occupation , how, after the Second World War, Tokyo was in ruins in every sense of the word, everything had to be built out of this nothing and it was.  Because actually, the earth is still spinning, it’s just not following the rules of a western world.last circle 2The “Is Jon one of the only truly sane characters or is he having a mental breakdown?” factor: As the story progresses, you are left questioning more and more whether Jon’s documentation accurately reflects what is happening at the hotel and whether his investigation into the girl’s death has turned into an obsession affecting his mental health. Sometimes he even questions himself. I love that element of uncertainty where you are compelled to keep on reading, trying to find and work out the clues.last circle 2The cause of the attacks: we never find out the details of the attacks themselves and I liked this deliberate vagueness as the emphasis falls on general political behaviour, making the issues universal; politicians making the wrong decisions and citizens not being proactive  enough or having enough power to prevent disaster, and the extensive impact of this on the survivors but also physically on the Earth– sound familiar?last circle 2

A couple of things that I personally wanted more of/less of:

The gore! I think that the explicit moments are there as a shock factor and a nod to 80s horror fiction, but for me personally they felt a bit disjointed, disconnected and just personally not my cup of tea.

The hotel’s mysterious and possibly sinister past: I really enjoyed the premise of this; the dodgy deals, the high level of deaths and the capturing of a serial killer during his stay there in the past, but I found that there just wasn’t enough depth to this. There were moments when the hotel almost had a personality of its own (the kind of creepy I like) but they faded away. So basically, I just wanted more!

The ending felt like a bit of an anti-climax to me: I must say that this is just my own preference of what I wanted to read really and I can totally see why Jameson chose to end it this way (I can’t really say much more without spoilers!)

last hotel (2)

I wonder if Jameson has a sequel planned?  There is so much there just waiting to be explored- I need to know what happened next!

Getting to know Agatha

getting to know agatha 2

Agatha Christie has fascinated me for as long as I can remember, yet somehow, I’ve never really pursued my curiosity in any depth. As I’m reading a Poirot mystery a month this year for one of my 2019 bookish goals, this felt like the perfect opportunity to get stuck in to all things Christie! I thought I’d share what I’ve come up with so far- I’ve stumbled upon some proper AC treasures😊

Shedunnit-Artwork

The Shedunnit podcast: I came across this podcast by sheer coincidence recently and it is as if  the creator and host, Caroline Crampton, has created a podcast just for me – themed episodes focusing on the golden era of crime fiction – yay! Each episode is so thoroughly researched, so interesting and beautifully broadcast – I highly recommend a listen. Anyway, the podcast episode titled The Lady Vanishes, is one based on the much-deliberated disappearance of Agatha Christie for 11 days in December 1926 and it was a great way into Christie’s world.

Two fascinating articles online: “How Agatha Christie’s wartime nursing role gave her a lifelong taste for poison” (The Guardian) and “Agatha Christie shaped how the world sees Britain” (BBC Culture). Both were incidentally recommended on twitter by @ShedunnitShow.

The Agatha Christie website: quite an obvious one to mention really but an informative source for all things Christie, including themed reading guides and a Read Christie 2019 challenge.

Agatha-Graphic-Novel-GalleyCat

A graphic novel: Agatha: The Real Life of Agatha Christie by Anne Martinetti, Guillaume Lebeau and Alexandre Frank. When searching for books on AC and wanting to go beyond the usual biography type affair, I found this promising looking graphic novel – I’m really getting into reading graphic novels as portals into non-fiction. I’ve only had a quick flick through so far but the artwork in itself is fabulous. I shall report back.

51ObAu2wf9L._SL500_

The autobiography: Well, it’s got to be done hasn’t it! I’m really intrigued to see what she wanted people to know about herself, her writing and the life she led. I think I’ll borrow this book from my local library (because libraries are fantastic places for finding non-fiction if you’re not by nature a non-fiction enthusiast and book funds are lacking).

talent for murder

Just for fun: Agatha Christie as a special agent! I’ve just started listening to the first audio book of a series by Andrew Wilson, called A Talent for Murder. I love the premise so much and am keeping everything crossed that this is a series I can get addicted to. Book two, A Different Kind of Evil is out now in the UK.

mousetrap

One last thing: The Mousetrap is coming to Nottingham at the Theatre Royal -I’ve never seen it nor know anything about it despite its status as longest running West End play. Time to purchase a ticket I think 😉